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Process

Installation using rubber stamp and blown up excerpts from the Law for Artists as Tradesmen (2002). It is accompanied by a video showing the process of the artist stamping out his self portrait on the wall of the Museum of Contemporary Art. The sound of hitting stamps echoes throughout the gallery space.
Several other portraits of fellow artists were later executed at other exhibitions as well as Picasso's Woman's Head 1963 (property of MOCA Skopje).